SELECTED SOLO EXHIBITIONS
2019 David Reed: Drawings, Kunstmuseum Winterthur, Winterthur, Switzerland
2018 David Reed: I’m trying to get closer but …, Häusler Contemporary, Zurich, Switzerland
David Reed: Recent Paintings, Galerie Anke Schmidt, Köln, Germany
2017 PAINTING PAINTINGS (DAVID REED) 1975, 356 Mission, Los Angeles, CA; Gagosian Madison
Avenue, New York, NY
2016 PAINTING PAINTINGS (DAVID REED) 1975, The Rose Art Museum, Waltham, Massachusetts
David Reed: Vice and Reflection – An Old Painting, New Paintings and Animations, Pérez Art Museum,
Miami, Florida curated by Tobias Ostrander
New Paintings, Peter Blum Gallery, New York, NY
Stained glass windows at Basilica Rankweil, Permanent Installation, Rankweil, Austria
2015 The Mirror and The Pool, Kunstmuseum Krefeld, Museum Haus Lange, Krefeld, Germany
Two by Two: Mary Heilmann & David Reed, Museum für Gegenwart, Hamburger Bahnhof,
Berlin, Germany
2013 David Reed – Recent Paintings, Galerie Schmidt Maczollek, Cologne, Germany
David Reed – Recent Paintings, Häusler Contemporary Zürich, Zürich, Switzerland
Paintings 1997-2013, Häusler Contemporary, Lustenau, Switzerland
2012 David Reed – Heart of Glass, Paintings and Drawings 1967-2012, Kunstmuseum Bonn, Bonn, Germany
2011 Galerie Marta Cervera, Madrid, Spain
William Eggleston and David Reed, Peder Lund, Oslo, Norway
2010 Works on Paper, Peter Blum Gallery, New York, NY
Galerie Schmidt Maczollek, Cologne, Germany
2009 Recent Paintings, Häusler Contemporary, Munich, Germany
2008 David Reed: Lives of Paintings, Douglas F. Cooley Memorial Art Gallery, Reed College, Portland, Oregon
Galerie Thomas Flor, Dusseldorf, Germany
2007 Max Protetch Gallery, New York, NY
Galerie Schmidt Maczollek, Cologne, Germany
2005 Leave Yourself Behind. Paintings and Special Projects 1967 – 2005, Ulrich Museum of Art, Wichita State
University, Kansas; traveled to Roswell Museum and Art Center, Roswell, New Mexico; traveled to the
Luckman Gallery, California State University, Los Angeles, California
Galerie Bob van Orsouw, Zürich, Switzerland
2004 Max Protetch Gallery, New York, NY
Galerie Xippas, Paris, France
Galerie Rolf Ricke, Cologne, Germany
2002 Max Protetch Gallery, New York, NY
Patricia Faure Gallery, Los Angeles, California
2001 You Look Good In Blue, Kunstmuseum St. Gallen, Switzerland; traveled to Kunstverein Hannover, Germany
2000 Galerie Rolf Ricke, Cologne, Germany
Galerie Bob van Orsouw, Zurich, Switzerland
1999 Galerie Xippas, Paris, France
David Reed – Painting/Vampire Study Center, Goldie Paley Gallery, Moore College of Art and Design,
Philadelphia, Pennsylvania
Max Protetch Gallery, New York, NY
Paintings, Motion Pictures, Brandeis University, Rose Art Museum, Boston, Massachusetts
1998 David Reed Paintings: Motion Pictures, Museum of Contemporary Art, San Diego, California; traveled to
the Wexner Center for the Arts, The Ohio State University, Columbus, Ohio; traveled to the Rose Art
Museum, Brandeis University, Waltham, Massachusetts; traveled to P.S.1 Contemporary Art Center, Long
Island City, New York
Max Protetch Gallery, New York, NY
Vampire Archive/Research Project, Art Resources Transfer, Inc., New York, NY
1997 Galerie Rolf Ricke, Cologne, Germany
Galerie Bob van Orsouw, Zurich, Switzerland
Patricia Faure Gallery, Los Angeles, California
1996 Donna Beam Fine Art Gallery, University of Nevada Las Vegas, Nevada
New Paintings for the Mirror Room and Archive in a Studio off the Courtyard, Neue Galerie am
Landesmuseum Joanneum, Graz, Austria
1995 David Reed, Kölnischer Kunstverein, Cologne, Germany; traveled to the Württembergischer Kunstverein,
Stuttgart, Germany; traveled to the Westfälischer Kunstverein, Münster, Germany
Max Protetch Gallery, New York, NY
1993 Galerie Rolf Ricke, Cologne, Germany
1992 Max Protetch Gallery, New York, NY
Walter/McBean Gallery, San Francisco Art Institute, San Francisco, California
1991 Galerie Rolf Ricke, Cologne, Germany
Max Protetch Gallery, New York, NY
1989 Max Protetch Gallery, New York, NY
1988 Asher/Faure Gallery, Los Angeles, California
Max Protetch Gallery, New York, NY
1986 Max Protetch Gallery, New York, NY
1985 Max Protetch Gallery, New York, NY
1983 Max Protetch Gallery, New York, NY
1980 Institute for Art and Urban Resources / The Clocktower, New York, NY
Painting Residency, Fashion Moda, Bronx, New York
1979 Max Protetch Gallery, New York, NY
1977 Nancy Lurie Gallery, Chicago, Illinois
Max Protetch Gallery, New York, NY
Protetch-McIntosh Gallery, Washington, D.C.
1976 Rush Rhees Gallery, University of Rochester, New York, NY
1975 Faculty Office Building Gallery, Reed College, Portland, Oregon
Susan Caldwell Gallery, New York, NY
SELECTED GROUP EXHIBITIONS
2018 Under Erasure, Pierogi, New York, NY
2017 FOTG: The first of four shows marking the gallery’s first 25 years, Mitchell Algus Gallery, New York, NY
Kienzle Collection, Kunstmuseum Liechtenstein Vaduz, Liechtenstein
Per Amor a l’Art Collection. Ornament = crime?, Bombas Gens Centre d’Art, Valencia, Spain
Koka Ramisvhili: Independent Organism II, Häusler Contemporary, Zurich, Switzerland
Hugh Evans: Recent Paintings, University of Kentucky Art Museum, Lexington, KY
2016 HEMSWORTH - JENSSEN - TOLLENS – REED, Thomas Rehbein Galerie, Cologne, Germany
energy : analog, Häusler Contemporary, Lustenau, Austria
Concept and Idea in Art. Works from the Brokken Zijp Foundation of Modern and Contemporary
Art, Kunstraum Alexander Bürkle, Freiburg, Germany
Splotch, Sperone Westwater, New York, NY, curated by Eileen Jeng
Order and Color | A Dialogue with Collection Günter Hackenberg, Häusler Contemporary
München, München, Germany
Jackson Pollock's Mural: Energy Made Visible, Museo Picasso Malaga, Malaga, Spain, curated by
David Anfam
Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich, Germany, curated by
Achim Hochdörfer, David Joselit with Manuela Ammer, assistant curator: Tonio Kröner
DRAWINGS, Galerie Anke Schmidt, Cologne, Germany
How to be Unique, Kienzle Foundation Berlin, Germany
2015 Random Sampling – Paintings from Sammlung Goetz, Haus Der Kunst, Munich, Germany, curated by
Ulrich Wilmes
I LIKE AMERICA, Schauwerk Sindelfingen, Germany
L’OISEAU PRESENTE – “BE ABSTRACT,” Kunstverein Schwäbisch Hall, Berlin, Germany, organized by
Gunna Schmidt, Nicola Staglich, Anke Völk
Jackson Pollock’s Mural: Energy Made Visible, Deutsche Bank Kunsthalle, Berlin, Germany, curated by
David Anfam
Elementary Painting, Kunstmuseum St. Gallen, St. Gallen, Switzerland
2014 Pictures of Everything, Harris Art Gallery, University of La Verne, La Verne, CA
Outside the Lines: Rites of Spring, Contemporary Arts Museum Houston, Texas
2014 Invitational Exhibition of Visual Arts, The American Academy of Arts and Letters, New York, NY
Pouring It On, Herter Art Gallery, University of Massachusetts, Amherst, Massachusetts
David Reed & James Turrell, Häusler Contemporary Lustenau
2013 The Indiscipline of Painting, Mead Gallery, Conventry, UK
ENTRÉE LIBRE MAIS NON OBLIGATOIRE, Villa Arson, Nice, France
Reinventing Abstraction, New York Painting in the 1980’s, Cheim & Read Gallery, New York, curated by
Raphael Rubenstein
Temperamente auf Papier II, Häusler Contemporary Zurich, Switzerland
Misdirect Movies, The Royal Standard, Liverpool, UK travels to Standpoint Gallery, London, UK;
Greyfriars, Lincoln, UK; Meter Room, Conventry, UK, curated by Andrew Bracey and John Rimmer
2012 Movement, MAGAZINE 4, Bregenzer Kunstverein, Austria, curated by Jörg van den Berg and Wolfgang Fetz
Conceptual Abstraction, Hunter College Times Square Gallery, New York
Conspiracies of Illusion: Projections of Time & Space, McMaster Museum of Art, McMaster University,
Hamilton Ontario, Canada, curated by Mark A. Cheetham, Any Patton, and Christine Sprengler
Summer Series, Quint Contemporary Art, La Jolla, California
Decade: Contemporary Collecting, Albright-Knox Art Gallery, Buffalo, New York
THE SLIDE SHOW, Mekanism Skateboards, FRAC Auvergne, France
A. Abstra_Action, Galerija Contra, Koper, Slovenia
The gallery collection, Galerie Bob van Orsouw, Zurich, Switzerland, curated by Beda Achermann.
The Happy Fainting of Painting, Zwinger Gallery, Berlin, Germany, organized by Hans Jürgen Hafner and
Gunter Reski
New York Painting – Elizabeth Cooper, Fabian Marcaccio, David Reed, Alejandra Seeber, Lawrence
Stafford, Häusler Contemporary, Munich, Germany
2011 Itsy-bitsy spider, Galerie Schmidt Maczollek, Cologne, Germany
The Indiscipline of Painting, TATE St. Ives, Cornwell, UK, curated by Daniel Sturgis
75th Anniversary-American Abstract Artists, OK Harris Works of Art, New York
75th Anniversary-American Abstract Artists International, Galerie oqbo and Deutscher
Künstlerbund Projektraum, Berlin, Germany
70 Years of Collecting, Weatherspoon Art Museum, Greensboro, North Carolina
2010 Highlights of the Schaufler Collection, Schauwerk Sindelfingen Sindelfingen, Germany
Surprise no 2 - W. Bullinger, A. Eloyan, D. Reed, Gallerie Bob von Orsouw, Zurich, Switzerland
INSIDE OUT, Susan Inglett Gallery, New York, curated by Eli Ping
Color and Content, Kunstmuseum Bonn, Bonn, Germany
Malerei: Prozess und Expansion von den 1950er Jahren bis heute, Museum Moderner Kunst, Vienna, Austria,
curator Rainier Fuchs
Until Now: Collecting the New (1960-2010), Minneapolis Institute of Art, Minneapolis, Minnesota
Mapping the Region, Museum Folkwang, Essen, Germany
Babel, Fonds Régional d'Art Contemporain Centre, Auvergne, France
Highlights of the Schaufler Collection, Schauwerk Sindelfingen, Sindelfingen, Germany
Move On Up, Galerie Schmidt Maczollek, Cologne, Germany
Palm Paintings, Buchmann Galerie, Berlin, Germany
2009 Sammlung Reloaded, Kunstmuseum Bonn, Germany, curators Prof. Dr. Stephan Berg and Dr. Christoph
Schreier
Mix: Nine San Diego Architects and Designers, Museum of Contemporary Art San Diego, California
La Rose Pourpre du Caire - Making of et Bande Annonce; Art Contemporain et Cinéma, FRAC Auvergne
Musée d'Art et d'Archéologie, Aurillac, France
Rewind, Fast Forward, Neue Galerie am Landesmuseum Joanneum, Graz, Austria
2008 Las Vegas Collects Contemporary, Las Vegas Art Museum, Las Vegas, Nevada
Sehnsucht (Aspiration), Light&Sie, Dallas, Texas, curated by Georges Armaos
The 183rd Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum,
New York
Silent Films & Bedroom Painting, The Lab, Lakewood, Colorado, curated by Adam Lerner
David Reed and Klaus Merkel, Galerie Thomas Flor, Düsseldorf, Germany
David Reed and Rochelle Feinstein, The Suburban, Oak Park, Illinois
Abstrakt/Abstract, Museum Moderner Kunst Kaernten, Austria, curated by Andrea Madesta
There is Desire Left (Knock, Knock), Mondstudio Collection, Kunstmuseum Bern, Switzerland, curated by
Claudine Metzger
2007 Bilingual, Art at the Intersection of Painting and Video, Glass Curtain Gallery, Chicago, curated by Tracy
Marie Taylor
Lust for Life, The Ricke Collection. Kunstmuseum Liechtenstein, Vaduz, curated by Christiane Meyer-Stoll
Beyond A Gift Of Time, Roswell Museum and Art Center, Roswell
Das Kapital, Blue Chips and Masterpieces, Museum für Moderne Kunst, Frankfurt/Main, Germany
Brave Lonesome Cowboy: Western Topoi in Contemporary Art or: For John Wayne’s
100th Birthday, Galerien der Stadt Esslingen, Villa Merkel, Germany and Kunstmuseum
St. Gallen, Switzerland, curated by Konrad Bitterli and Andreas Baur
Rose Art. Works from the Permanent Collection, The Rose Art Museum of Brandeis University, Waltham,
Massachusetts
Not for Sale. P.S.1, New York, NY
2006 House of Paintings Shadow Space, Haus Konstruktiv, Zurich, Switzerland, curated by Günter Umberg
Transformation – From our Collection, Kunstmuseum Liechtenstein, Vaduz
Clear Cuts – Sammlung Wolkenlos, Die Privatsammlung von Michael Stankiewicz. Schloss Raabs,
Raabs and der Thaya, Austria
Une simple question de temp,Conversation entre les collections du FRAC Auvergne et du Musée
Crozatier, Musée Crozatier, Le Puy-en Velay, France
New Now Next: The Contemporary Blanton, Jack S. Blanton Museum of Art, Austin, Texas
2005 Vertiges: Printemps de Septembre a Toulouse, Les Abattoirs, France, curated by Jean-Marc Bustamante
Collection Histories/Collective Memories: California Modern, Orange County Museum of Art, Newport
Beach, California
Extreme Abstraction, Albright-Knox Gallery, Buffalo, New York, curated by Louis Grachos and Claire
Schneider
POPulence, Blaffer Gallery, Houston, Texas, curated by David Pagel
What’s New, Pussycat? Neuerwerbungen und Sammlung Ströher, Museum für Moderne Kunst, Frankfurt am
Main, Germany
The Continous Mark: 40 Years of the New York Studio School, New York Studio School, curated by Jennifer
Sachs Samet
Sweet Temptations. Dialoge mit der Sammlung Rolf Ricke, Kunstmuseum St. Gallen, Switzerland
Willem de Kooning, BA-CA Kunstforum, Vienna, Austria, curated by Florian Steininger
2004 Me Myself I, Konstruktionen von Raum und Identität in der Kunst der Gegenwart, Kunstmuseum St.
Gallen, Switzerland, curated by Konrad Bitterli
Gesture Suggestion, Vous Etes Ici, Amsterdam, the Netherlands
Painting Now: Selections from the Permanent Collection, Museum of Contemporary Art, San Diego,
California
Le Syndrome de Babylone, Centre d’Art Contemporain de la Villa du Parc, Geneve, Switzerland
still mapping the moon, Perspektiven zeitgenössischer Malerei / Perspectives on Contemporary
Painting. Kunstmuseum Bonn, Germany
David Reed, Malerei, Sammlung Kunst, Neues Museum, Nürnberg, Germany
Surface Tension, Chelsea Art Museum, New York, curated by Manon Slome
The Void and the Plentitude, Museum Haus Esters, Krefeld, Germany, curated by Martin Hentschel
In The Spotlight, Rose Art Museum, Brandeis University, Waltham, Massachusetts
100 Artists See God, Independent Curators International, curated by John Baldessari and Meg Cranston,
traveling group show
2003 Greetings from New York, A Painting Show, Galerie Ropac, Salzburg, Austria
ON, Inaugural Group Show, Renos Xippas Gallery, Athens, Greece
Jessica Stockholder: “Table Top Sculpture,” Gorney Bravin + Lee, New York, New York
Perpetuum Mobile, 40 Jahre Galerie Rolf Ricke, Cologne, Germany, curated by Günter Umberg
Intricacy, Institute of Contemporary Art Philadelphia, Pennsylvania; traveled to Yale University, New Haven,
Connecticut, curated by Greg Lynn
New Abstract Painting – Painting Abstract Now: Abstraktion in der neuen Malerei, Museum Morsbroich
Leverkusen, Germany
Painting Pictures, Malerei und Medien im digitalen Zeitalter, Kunstmuseum Wolfsburg, Germany, curated
by Gijs van Tuyl and Annelie Lütgens
Trespassing: Houses X Artists, Bellevue Art Museum, Washington; traveled to MAK Center for Art and
Architecture, Los Angeles, California; traveled to the University of South Florida Contemporary Art Museum,
Tampa; traveled to Blaffer Gallery at the University of Houston, Texas; traveled to the Palm Springs Desert
Museum, California, curated by Linda Taalman and Alan Koch Schokolade, was denn sonst: Sammlung
Rolf Ricke, Kunstraum Innsbruck, Innsbruck, Austria
We Love Painting: The Contemporary American Art from Misumi Collection, Museum of Contemporary
Art, Tokyo, Japan
New Abstract Painting – Painting Abstract Now, Abstraktion in der neuen Malerei, Museum Morsbroich,
Leverkusen, Germany, curated by Ute Riese
Postimpact, Portalakis Collection, Athens, Greece
2002 Das Museum, die Sammlung, der Direktor und seine Liebschaften, Museum moderner Kunst,
Frankfurt am Main, Germany, curated by Udo Kittelmann
Einfach Kunst: Sammlung Rolf Ricke, Neues Museum, Nürnberg, Germany
Another World: Zwölf Bettgeschichten / Twelve Bedroom Stories, Kunstmuseum Luzern, Switzerland
Raum für Malerei / The Painting Room, Kaiser Wilhelm Museum, Krefeld, Germany
Mood River, Wexner Center for the Arts, The Ohio State University, Columbus, curated by Jeffrey Kipnis
Time/Frame, Jack S. Blanton Museum of Art, The University of Texas at Austin, curated by Annette
DiMeo Carlozzi
Transcendent & Unrepentant, Rosenwald Wolf Gallery, the University of the Arts, Philadelphia, Pennsylvania
2001 The Magic Hour:Die Konvergenz von Kunst und Las Vegas, Neue Galerie Im Künstlerhaus, Graz, Austria,
curated by Alex Farquharson
Lateral Thinking: Art of the 1990’s, Museum of Contemporary Art, San Diego, California
Cinema Studies, Lucas Schoormans, New York, curated by Aruna d’Souza
Vertigo, Ursula Bickle Stiftung, Kraichtal, Germany; traveled to Vorarlberger Kunstverein, Bregenz, Austria,
curated by Gerald Matt
Hybrids: International Contemporary Painting, Tate Liverpool, Great Britain, curated by Simon Wallis
Ornament and Abstraction, Fondation Beyeler, Riehen/Basel, Switzerland, curated by Markus Brüderlin
Pleasures of Sight and States of Being, Museum of Fine Arts, Florida State University, Tallahassee, curated by
Roland Nasgaard
2000 How You Look At It: Photographs of the 20th Century, Sprengel Museum Hannover, Germany, curated by
Thomas Weski and Heinz Liesbrock
Body of Painting, Museum Ludwig, Köln, Germany, curated by Günter Umberg
Eva Knutz & David Reed, Art Resources transfer, Inc., New York
Passé Composé / Futur antérieur, Musée d’Art Roger-Quilliot, Montferrand, France
Das Gedächtnis der Malerei, Aargauer Kunsthaus, Aarau, Switzerland, curated by Sibylle Omlin and Beat
Wimmer
Media / Metaphor: The 46th Biennial Exhibition, Corcoran Museum of Art, Washington D.C., curated by
Philip Brookman
Six Abstract Artists at the Milenium, Dorsky Gallery, New York, curated by Robert Saltonstall Mattison
1999 Special Offer, Kassler Kunst Verein, Kassel, Germany, curated by Rolf Ricke
Postmark: An Abstract Effect, Site Santa Fe, Santa Fe, curated by Bruce W. Ferguson
Mixed Bag Summer Group Show, Schmidt Contemporary Art, St. Louis, Missouri
Abstrakt, Galerie Thaddaeus Ropac, Salzburg, Austria
Moving Images, Galerie für Zeitgenössische Kunst Leipzig, Leipzig, curated by Dirk Luckow and Jan
Winkelmann
Aux dernière nouvelles..., FRAC D’Auvergne, Clermont Ferrand, France
Super-abstraction, The Box, Torino, Italy, curated by Andrea Busto
Looking at Paintings / Looking for Painters: Gesture and Contemporary Painting, University of Michigan,
curated by Brian Stechschulte and Mike Underwood
Notorious: Alfred Hitchcock and Contemporary Art, Museum of Modern Art Oxford, Oxford, traveled to Sydney,
Tokyo, Odense, curated by Kerry Brougher, Michael Tarantino and Astrid Bowron
1998 The Erotic Sublime (Slave to the Rhythm), Galerie Thaddaeus Ropac, Salzburg, Austria, curated by
Nikolaus Ruzicska
Geistes Gegenwart, Diözesanmuseum, Freising, and Heilig-Geist-Kirche, Landshut, Germany, curated by Petra
Giloy-Hirtz and Peter B. Steiner
Pop Abstraction, Museum of American Art of the Pennsylvania Academy of the Fine Arts, Philadelphia,
Pennsylvania, curated by Sid Sachs
I’m Still In Love With You: Visual Artists and Writers Respond to the 1972 Album by Al Green, Women’s 20th
Century Club, Eagle Rock, California, curated by Steven Hull
Günter Umberg, Museum Dhondt-Dhaenens, Deurle, Belgium
Utz: A Collected Exhibition, Lennon, Weinberg, Inc., New York, curated by Stephanie Theodore
Sick of Photography: A Painting Show, College of Creative Studies Gallery, University of California, Santa Barbara,
California, curated by Michael Darling
Die Neue Sammlung (1), Palais Liechtenstein, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
Interior Landscapes: An Exhibition from the Collection of Clifford Diver, Delaware Art Museum, Wilmington,
Delaware
From Here to Eternity: Painting in 1998, Max Protetch Gallery, New York, curated by Ruth Kaufmann
1997 Theories of the Decorative: Abstraction and Ornament in Contemporary Painting, Inverleith
House, Royal Botanic Garden, Edinburg, Scotland; traveled to Edwin A. Ulrich Museum, Wichita State University,
Wichita, Kansas, curated by Paul Nesbitt and David Moos
Primarily Paint, Museum of Contemporary Art, San Diego, La Jolla, California
Pintura, Galeria Joan Prats, Barcelona, Spain; traveled to Galeria Marta Cervera, Madrid, Spain
After the Fall: Aspects of Abstract Painting Since 1970, Snug Harbor Cultural Center, Staten Island, New York,
curated by Lilly Wei
Intimate Universe (Revisited): Seventy American Painters, Robert Steele Gallery, New York, curated by
Michael Walls
Schilderijen: Reinoud van Vught, Fabian Marcaccio, David Reed, Jonathan Lasker, Galerie Tanya Rumpff, Haarlem,
the Netherlands
Wetterleuchten, Galerie Evelyne Canus, La Colle-sur-Loup, France, curated by Günter Umberg
Critiques Of Pure Abstraction, Independent Curators, Inc., New York, curated by Mark Rosenthal
Stepping Up, Andrew Mummery, London, England
Relations Between Contemporary Architecture and Painting: Greg Lynn, Fabian Marcaccio, David Reed, Jesse
Reiser/Nanako Umemot, Künstlerhaus Palais Thurn und Taxis, Bregenz, Austria
Some Lust, Patricia Faure Gallery, Santa Monica, California
Installations/Projects, Institute for Art and Urban Resources/P.S.1, Long Island City, New York
1996 16 Artists, Patricia Faure Gallery, Santa Monica, California
Extended Minimal, Max Protech Gallery, New York
Nuevas Abstracciones, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain; traveled to Museu d’Art
Contemporani de Barcelona, Spain; traveled to Kunsthalle Bielefeld, Germany, curated by Enrique Juncosa
Abstract Practice, Galerie Thaddaeus Ropac, Salzburg, Austria
Form als Ziel mündelt immer in Formalismus, Galerie Rolf Ricke, Cologne, Germany
Embededded Metaphor, Independent Curators, Inc., New York, curated by Nina Felshin
Reconditioned Abstraction, Forum for Contemporary Art, St. Louis, Missouri, curated by Martin Ball
Lydia Dona and New York Abstraction, Macdonald Stewart Art Centre, Guelph, Ontario, Canada
1995 Pittura/Immedia: Malerei in der 90er Jahren / Painting In the 90’s, Neue Galerie am
Landesmuseum Joanneum, Graz, Austria, curated by Peter Weibel
Das Abenteuer der Malerei / The Adventure of Painting, Württembergischer Kunstverein, Stuttgart, Germany and
Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany, curated by Martin Hentschel and
Raimund Stecker
Transatlantica, the America-Europa Non Representativa, Museo de Alejandro Otero, Caracas, Venezuela
Abstraction From Two Coasts, Lawing Gallery, Houston, Texas
Architecture of the Mind, Content in Contemporary Abstract Painting, Galerie Barbara Farber, Amsterdam, the
Netherlands, curated by David Moos
Mesótica: The América non-representativa, Museo de Arte y Diseño Contemporáneo, San José, Costa Rica
All About Edges: An Exhibition of Contemporary Abstract Painting, Main Gallery, Fine Arts Center Galleries,
University of Rhode Island, Kingston, curated by Judith Tolnick
Repicturing Abstraction: The Politics of Space, The Abducted Image, Basic Nature, From Impulse to Image,
Virginia Museum of Fine Arts, Richmond, Virginia
Temporarily Possessed: The Semi-Permanent Collection, The New Museum of Contemporary Art, New York
Going for Baroque: 18 Contemporary Artists Fascinated with the Baroque and Rococco, The Contemporary and
The Walters Collection, Baltimore, Maryland, curated by Lisa Corrin
Made In The U.S.A: Original Paintings on Paper, Bob van Orsouw Gallery, Zurich, Switzerland
Re-Fab: Painting Abstracted, Fabricated, and Revised, University of South Florida Contemporary Art Museum,
Tampa, Florida; traveled to Wolfson Galleries, Miami-Dade Community College, Miami, Florida; traveled to the
Robert Hull Fleming Museum, University of Vermont, Burlington, Vermont, curated by Margaret Miller
Videothek, Galerie im Rathaus, Munich, Germany, curated by Christine Gögger
1994 New Paintings, Max Protetch Gallery, New York
Drama, Max Protetch Gallery, New York
Chance, Choice, and Irony, Todd Gallery, London, England; traveled to John Hansard Gallery, University
Southampton, Southampton, England, curated by Colin Crumplin
Recent Painting, Asher/Faure Gallery, Los Angeles
Conditional Painting, Galerie nächst St. Stephan, Vienna
Don’t Look Now, Thread Waxing Space, New York, curated by Joshua Decter
1993 Fractured Seduction: New Conceptual Abstract Painting, Eight Artist from New York
Artifact Gallery, Tel Aviv, Israel, curated by Maia Damianovic
Italia-America: L’astrazione ridefinita, Galleria Nazionale d’Arte Moderna, Republica de San Marino, curated by
Demetrio Paparoni
Supervision, Räume für neue Kunst, Wuppertal, Germany, curated by Günter Umberg and Rolf Hengesbach
Hotel Carlton Palace, Chambre 763, Paris, France, curated by Hans-Ulrich Obrist
Bodies of Work, Atelier Philip Pocock, Cologne, Germany, curated by Philip Pocock
New York Painters: Donald Baechler, Ross Bleckner, Peter Halley, Jonathan Lasker, Richard Prince, David Reed,
Peter Schuyff, Philip Taaffe, Christopher Wool, Sammlung Goetz, Munich, Germany
Eight Painters: Abstractions in the Nineties, Carl Solway Gallery, Cincinnati, Ohio
Byron Kim, David Lasry, David Reed: Paintings, Quint Gallery, La Jolla, California
Panorama, Galerie Martina Detterer, Frankfurt am Main, Germany; traveled to Galerie Jousse-Seguin, Paris, France
New American Abstraction: The Conscious Gesture, Marion Locks Gallery, Philadelphia, Pennsylvania
New Moderns, Baumgartner Galleries, Washington, D.C.
Der Zerbrochene Spiegel: Positionen zur Malerei / The Broken Mirror: Approaches to Painting, Museumsquatier
Messeplatz und Kunsthalle Wien, Vienna, Austria; traveled to Deichtorhallen, Hamburg, Germany, curated by
Kasper Köing and Hans-Ulrich Obrist
Silent Echoes, Tennisport Arts, Long Island City, New York, curated by Christian Haub
Prospect 93: Eine Internationale Ausstellung aktueller Kunst / Prospect 93: An International Exhibition of
Contemporary Art, Frankfurter Kunstverein and Schirn Kunsthalle, Frankfurt am Main, Germany, curated
by Peter Weiermair
Plötzlich ist eine Zeit hereingebrochen, in der alles möglich sein sollte (Teil 2), Kunstverein Ludwigsburg, Germany,
curated by Udo Kittelmann
“I am the Enunciator,” Thread Waxing Space, New York, curated by Christian Leigh
1992 Bedroom Pictures, Asher/Faure Gallery, Los Angeles, California, curated by Terry R. Myers
Thomas Noskowski / David Reed, Baumgartner Galleries, Washington, D.C.
Slow Art: Painting in New York Now, Institute for Art and Urban Resources/P.S.1, Long Island City, New York,
curated by Alanna Heiss
Abstrakte Malerie zwischen Analyse und Synthese / Abstract Painting between Analysis and Synthesis, Galerie nächst
St. Stephan, Vienna, Austria
Kinder! Macht neues! Galerie Rolf Ricke, Cologne, Germany
1991 La metafisica della Luce / The Metaphysics of Light, John Good Gallery, New York, curated by Demetrio Paparoni
Conceptual Abstraction, Sidney Janis Gallery, New York.
The Lick of the Eye, Shoshana Wayne Gallery, Santa Monica, California, curated by David Pagel
Hybrid Abstraction, Bennington College Art Gallery, Bennington, Vermont, curated by Joshua Decter
Strategies for the Next Painting, Wolff Gallery, New York; traveled to Feigen Incorporated, Chicago, Illinois, curated
by Saul Ostrow
Contemporary Abstract Painting: Resnick, Reed, Laufer, Moore, Muscarelle Museum of Art, College of William and
Mary, Williamsburg, Virginia, curated by Molly Sullivan
1990 Token Gestures: A Painting Show, Scott Hanson Gallery, New York, curated by Collins & Milazzo
1989 1989 Biennial Exhibition, Whitney Museum of American Art, New York
Non-Representation: The Show of the Essay, Annie Plumb Gallery, New York, curated by Jeremy Gilbert-Rolfe
Diagrams and Surrogates, Shea and Becker Gallery, New York, curated by Saul Ostrow
Aus meiner Sicht: Eine Ausstellung von Rolf Ricke / Jubilee Exhibition of the Galerie Rolf Ricke, Kölnischer
Kunstverein, Cologne, Germany
Collapsing Light, Laurie Rubin Gallery, New York, curated by Jonathan Seliger
Postmodern Painters, John Good Gallery, New York
Artists of the 80’s: Selected Works from the Maslow Collection, Sordoni Art Gallery, Wilkes College,
Wilkes-Barre, Pennsylvania
1988 A New Generation, The 80’s: American Painters and Sculptors, The Metropolitan Museum of Art, New York
Louise Fishman, Joan Mitchell, David Reed, Barbara Toll Fine Arts Inc., New York, curated by Marjorie Welish
Collaborations in Monotype, University Art Museum, University of California at Santa Barbara, Santa Barbara,
California, curated by Phyllis Plous, Dart Gallery, Chicago, Illinois, curated by Lance Kinz
Seven American Abstract Artists, Ruggerio Henis Gallery, New York, curated by David Carrier
1987 Monsters: The Phenomena of Dispassion, Barbara Toll Fine Arts, Inc., New York, curated by
Dennis Kardon and Maria Reidelbach
Interstices, Laurie Rubin Gallery, New York, curated by Jonathan Seliger
Meaning, Four Walls, Hoboken, New Jersey, curated by David Humphrey
New Locations, Wolff Gallery, New York
Romantic Science, One Penn Plaza, New York, curated by Stephen Westfall
The Four Corners of Abstract Painting (From Sincerity to Sarcasm, from Formalism to Expressionsim),
White Columns, New York, curated by Bill Arning
Print / Film, Bess Cutler Gallery, New York, curated by Victoria Brown and Christian Haub
Abstract Painting, Asher/Faure Gallery, Los Angeles, California
Generations Of Geometry: Abstract Panting in America Since 1930, Whitney Museum of American Art at Equitable
Center, New York, curated by Cheryl Epstein, M. Christine Hunnisett and Kimmo Sarje
40th Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington, D.C.
curated by Ned Rifkin
1986 Abstraction / Abstraction, Carnegie Mellon University Art Gallery, Pittsburgh, Pennsylvania;
traveled to Klein Gallery, Chicago, Illinois, curated by Elaine A King
Geometry Now, Craig Cornelius Gallery, New York, curated by Ruth Kaufmann
1985 Smart Art: New Work from New York, Carpenter Center for Visual Arts, Harvard University,
Cambridge, Massachusetts, curated by Joseph Masheck
The Non-Objective World-1985: A Selection of Abstract Painting and Sculpture, Kamikaze, New York, curated by
Stephen Westfall
An Invitational, Condeso/Lawler, New York, curated by Tiffany Bell
Abstract / Issues, Sherry French Gallery, Tibor De Nagy and Oscarsson Hood, New York, curated by Steven
Henry Madoff
The Art of the 1970’s and 1980’s, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
1984 24 x 24 x 24: An Invitational Exhibition, Ruth Siegel, New York
David Reed / Jackie Ferrara, Susan Montezinos Gallery, Philadelphia, Pennsylvania
Invitational Painting Exhibition: Part 1, Twelfe Abstract Painters, Siegel Contemporary Art, New York, curated by
Michael Walls
Abstract Painting, Susan Montezinos Gallery, Philadelphia, Pennsylvania, curated by Per Jensen
Current 6: New Abstractions, Milwaukee Art Museum, Milwaukee, Wisconsin
Small Works: New Abstract Painting,Williams Center for the Arts, Lafayette College, Easton, Pennsylvania and
Center for the Arts, Muhlenberg College, Allentown, Pennsylvania, curated by Tom Hudspeth and Ron Janowich
1983 Language, Drama, Source, and Vision, The New Museum of Contemporary Art, New York, curated by Lynn
Gumpert, Ned Rifkin and Marcia Tucker
Contemporary Abstract Painting and Center for the Arts, Muhlenberg College, Allentown, Pennsylvania, curated by
Tom Hudspeth
Nocturne, Siegel Contemporary Art, New York
Three Painters: Sean Scully, David Reed, Ted Stamm, Zenith Gallery, Pittsburgh, Pennsylvania
1982 An Exhibition of Abstract Painting, Art Galaxy, New York, curated by Craig Fisher
Pair Group: Current and Emerging Styles in Abstract Painting, Jersey City Museum, New Jersey, curated by
Bill Zimmer
Abstract Painting, Maryland Institute College of Art, Baltimore, Maryland
1981 Arabia Felix, Art Galaxy, New York, curated by Bill Zimmer
Bertha Urdang Gallery, New York, curated by Lawrence Luhring
1980 Recent Acquisitions, La Jolla Museum of Contemporary Art, La Jolla, California
Investigations: Probe, Structure, Analysis: Agnes Denes, Lauren Ewing, Vernon Fisher, Stephen Prina,
David Reed, The New Museum of Contemporary Art, New York
1979 Ateliers Aujourd’hui: Oeuvres Contemporanies des Collections Nationales, Accrochage II
Centre Nationale d’Art et de Culture Georges Pompidou, Paris, France
Fourteen Painters, Herbert Lehman College, Bronx, New York
1978 Two Decades of Abstraction, University Galleries, University of South Florida, Tampa, Florida
1977 Recent Acquisitions, Centre Nationale d’Art et de Culture Georges Pompidou, Paris, France
1976 Max Protetch Gallery, New York
Students’ Choice, Yale University School of Art, New Haven, Connecticut
1975 Abstraction: Alive and Well, State University College, Potsdam, New York
Fourth Annual Contemporary Reflections 1974-75, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
1975 Biennial Exhibition, Whitney Museum of American Art, New York
1974 Marylin Lenkowsky, David Reed, Herbert Schiffrin, Susan Caldwell Gallery, New York
John Elderfield, Max Gimblett, David Reed, Cuningham-Ward Gallery, New York
Seven New York Artists, Nina Nielsen Gallery, Boston, Massachusetts
1973 Lo Guidice Gallery, New York
1972 Six Painters in the ’70s: Abstract Painting in New York, Ackland Art Center, University of North Carolina at Chapel
Hill, Chapel Hill, North Carolina, curated by John Minor Wisdom
1970 A Clean Well-Lighted Place, Austin, Texas
A Gift of Time, Santa Fe Museum of Fine Arts, Santa Fe, New Mexico
SELECTED PUBLICATIONS
2017 Painting Paintings (David Reed) 1975, Gagosian Madison Avenue, New York
2015 Two By Two, Nationalgalerie, Staatliche Museen zu Berlin, Hamburger Bahnof – Museum fur Gegenwart –
Berlin, Germany
David Reed: The Mirror and the Pool, Museum Haus Lange, Krefeld, Germany
2014 Pictures of Everything, Harris Gallery, La Verne, California
Pouring It On, Herter Art Gallery, Amherst, Massachusetts, 5
2013 Obrist, Hans-Ulrich. do it: the compendium, Independent Curators International, D.A.P, New York, NY
2012 Journal of Contemporary Painting Vol.1 No.1, Intellect Ltd., Bristol, England
David Reed: Lives of Paintings, The Reed Institute, Portland, Oregon
David Reed: Heart of Glass, Gemalde und Zeichnungen, Paintings and Drawings 1967-2012, Snoeck,
Köln, Germany
2009 Rock Paper Scissors / David Reed, Snoeck, Köln, Germany
2005 David Reed Leave Yourself Behind: Paintings and Special Projects 1967 – 2005, Ulrich Museum of Art
Wichita State University, Wichita, Kansas
2004 Still Mapping The Moon, Bonn Museum of Modern Art, Bonn, Germany
2001 David Reed: You look good in blue, Kunstverein St. Gallen, St. Gallen, Switzerland
1998 David Reed Paintings: Motion Pictures, Museum of Contemporary Art, San Diego, California
1997 Theories of the Decorative: Abstraction and Ornament in Contemporary Painting, The Royal Botanical
Garden, Edinburgh, Scotland
Reconditioned Abstraction, Stolze Printing Company Inc., Forum for Contemporary Art, St. Louis, Missouri
AWARDS AND GRANTS
2001 Ursula Blickle Stiftung, Kunstförderpreis für Malerei
2001 Skowhegan Medal for Painting
1991 National Endowment for the Arts, Visual Arts Fellowship
1988 John Simon Guggenheim Memorial Foundation, Fellowship
1969 Roswell Museum and Art Center, Grant
1966 Rockefeller Foundation, Fellowship