For Ferma (5), Esther Kläs cut two planar forms from a block of granite and placed them along the forested-edge of deCordova’s Sculpture Park. Resting on the earth and largely hidden from view, Ferma (5) is meant to be discovered, evoking associations with architectural ruins and stone-laid pathways. The coarse surfaces of the low-lying plinths are punctured with drilled holes and scored with the straight channels that are the product of their quarrying, resulting in richly textured forms that are activated by the natural interplay of light and shadow. Kläs created Ferma (5) for the sixteenth iteration of deCordova’s PLATFORM series, a program which invites artists to create site-specific sculptures that engage with the Sculpture Park’s unique landscape.
Ferma (5) relates to previous sculptures by Kläs that suggest weathered monoliths or ancient architectural remnants. Kläs’s three-dimensional work is non-figurative, but often evokes the body, as she builds her sculptures to the scale of her own six-foot frame. Although she conceives her work individually, she often places them in small groupings in order to activate relationships among the forms within a given space.