The Guggenheim Names 2024 Fellowship Recipients By The News Desk April 11, 2024
Lorraine O’Grady and Nicholas Galanin Named Guggenheim Fellows By Rhea Nayyar April 11, 2024
Recipients of the 2024 Guggenheim Fellowship Announced, Including Nicholas Galanin, Lorraine O'Grady, and More By Daniel Cassady April 11, 2024
Anything could happen at Sculpture on the Gulf 2024 By Thomas Bywater February 23, 2024
What the New Federal Regulations for Native American Ancestors and Sacred Objects Mean for Museums By Karen K. Ho February 21, 2024
How to experience NYC's amazing art offerings for free or on the cheap By Ryan Kailath January 28, 2024
Nicholas Galanin Looks Past Trauma to Recovery By Stacy J. Platt January 24, 2024
Indigenous artist's exhibit explores the impacts of colonization By Brian Sandford January 19, 2024
In New Show, Lingít Artist Nicholas Galanin Shows What Decolonization Actually Looks Like By Harrison Jacobs January 5, 2024
The Top 10 ARTnews Stories of 2023 By The Editors of Artnews December 29, 2023
The Top 50 Exhibitions of 2023 By Hyperallergic December 28, 2023
The Top 10 Vermont Art Exhibitions of 2023 By Pamela Polston December 27, 2023
Explore 7 Artworks by Native American Artists From the Artnet Gallery Network By Artnet Gallery Network December 26, 2023
Will You Break Your Silence and Scream? Nicholas Galanin Wants to Know By Natalie Hegert December 21, 2023
2023 Year in Review: Unframed Joseph Sgambati December 19, 2023
Running 'Interference': Nicholas Galanin challenges the legacies, consequences of colonization through art By Kathaleen Roberts / Assistant Arts Editor December 17, 2023
The Defining Atworks of 2023 By Harrison Jacobs December 18, 2023
Living with Art: The Changing Landscape By Ylise Kessler December 3, 2023
Power 100: The Annual Ranking of the Most Influential People in Art By ArtReview December 1, 2023
10 Must-See Artworks by Indigenous American Artists at the Seattle Art Museum Megan D Robinson November 28, 2023
Nicholas Galanin’s Pointed Public Sculpture Inspires Glorious Noise in New York By Andy Battaglia November 10, 2023
Weekly News Roundup By The Editors of Art Asia Pacific November 10, 2023
Arts picks: Screaming at SAM, an anger jar at the Frye, and butterbeer in Bellevue Kim Malcolm & Mike Davis November 9, 2023 / 6:21 pm
Indigenous A&E: LAND artist, storytellers, and Native films Sandra Hale Schulman October 26, 2023
“Scream until you can’t breathe” in Nicholas Galanin’s Interference Patterns at SITE Santa Fe SITE Santa Fe October 24, 2023
Interference Patterns: SITE Santa Fe hosts a powerful solo exhibition of Nicholas Galanin’s highly conceptional, contemporary works Native American Art Magazine September 22, 2023
‘An Indigenous Present’ Is a Paradigm-Shifting Illumination of Native North American Art Today By Kate Mothes September 12, 2023
The best outdoor art in NYC this fall By Rosilynne Skena Culgan September 11, 2023
Focus Highlights Indigenous Artists at the 2023 Armory Show FAAZINE September 9, 2023
Indigenous artists in the spotlight at this year’s Armory Show By Torey Akers September 7, 2023
Hyperallergic Fall 2023 New York Art Guide By Hrag Vartanian September 1, 2023
Artforum Reviews Artforum September Issue August 24, 2023
Joan Mitchell Foundation Announces 2023 Fellowships By Artforum August 23, 2023
2 New Exciting Outdoor Artworks in New York This Summer By David Behringer August 22, 2023
Whose Land? Indigenous Artist Nicholas Galanin Probes America’s Violent Past in Public By Melissa Smith August 21, 2023
On the Hudson, Visions for a New Native American Art By Holland Cotter August 10, 2023
Datebook: The Art World’s Fall Happenings to Add to Your Calendar By Art in America August 8, 2023
A new monument lands in Brooklyn: Look up at Nicholas Galanin’s 30-foot-tall steel sculpture in New York City By Wendy So July 19, 2023
The best outdoor art in NYC this summer By Rossilynne Skena Culgan, Anna Rahmanan, and Shaye Weaver July 11, 2023
Artist Nicholas Galanin on How Art Has Changed Him By Britt Stigler June 29, 2023
Nicholas Galanin, the artist asking whose land is it anyway? By Javier Pes June 28, 2023
Liverpool Biennial 2023 Review: Shadows of a Slave Trading Past By Stephanie Gavan June 13, 2023
Liverpool Biennial 2023 review– devastating insights into the horros of slavery By Hannah Clugston June 12, 2023
Liverpool Biennial 2023: a powerful, city-wide study of the scars of the slave trade By Alastair Sooke June 8, 2023
Liverpool Biennial Apollo Magazine June 2, 2023
Jaune Quick-To-See Smith Continues Breaking The "Buckskin Ceiling" By Chadd Scott May 31, 2023
Must See: Group Exhibition, "Fabric" By Artforum May 26, 2023
A New Brooklyn Sculpture Turns Pop Art on Its Head By Maya Pontone May 24, 2023
A new sculpture at Brooklyn Bridge Park evokes colonization and migration with weathered steel By Precious Fondren May 24, 2023
A Massive Sculpture at Brooklyn Bridge Park Forces a Dialogue Around Land By Josh Pacheco May 18, 2023
“My work holds a mirror to one’s perspective:" Nicholas Galanin on his new public sculpture made of border wall steel By Wallace Ludel May 19, 2023
The Best Outdoor Art in NYC This Summer Rossilynne Skena Culgan, Anna Rahmanan, Shaye Weaver May 16, 2023
Truth-Telling Confronts the Colonial Gaze By Billie Anania February 7, 2023
Doing It Their Way By Jori Finkel February 8, 2023
NICHOLAS GALANIN: Allowing generational conversations to flow through and memory to reveal itself across materials. By Katy Donoghue January 12, 2023
Indigenous art communities emerged from the pandemic more resilient By Sophia Herring January 3, 2023
Fierce, Not Afraid. Indigenous Photography Takes the Spotlight Chadd Scott December 13, 2022
This Powerful Exhibit Shows How Indigenous Photographers Are Taking Native American Identity Back From The Colonizers By Jonathon Keats November 7, 2022
Bard College Receives $50 Million Gift in Support of Indigenous Studies By Artforum September 28, 2022
What to See in N.Y.C Galleries Right Now By Martha Schwendener July 1, 2022
Nicholas Galanin: In an Indigenous artist’s unsparing work, powerful indictments of settler - colonial violence By Aruna D'Souza June 3, 2022
A New Frontier By Philip Martin May 29, 2022
ART: New Galanin exhibition highlights Lenape territory By Sandra Hale Schulman May 12, 2022
Interview with Nicholas Galanin By Brainard Carey May 10, 2022
Visual Artist Nicholas Galanin Is Redefining Reality at Peter Blum Gallery By Michelle Laver May 9, 2022
"Must See: It Flows Through" By Artforum May 7, 2022
The 25 Best Artworks About the U.S. Flag, From the Patriotic to the Provocative By Alex Greenberger April 6, 2022
Nicholas Galanin | “Art can be so powerful. It can change the world." By Michelle Laver December 3, 2021
North American museums face a reckoning on Indigenous rights By Gabriella Angeleti December 2, 2021
5 Memorable Booths to Seek Out at Art Basel Miami Beach By Julia Halperin December 2, 2021
The Best Booths at Art Basel Miami Beach 2021 By Maximilíano Durón December 1, 2021
Miami Art Week 2021: a guide to Art Basel and shows in the city By Harriet Lloyd-Smith November 30, 2021
Discover six striking Meridians projects, from outsized ceramic installations to sprawling paintings By Elliat Albrecht November 2021
At Art Basel Miami Beach, Large-Scale Artworks Reflect on Tumultuous Past Two Years By Maximilíano Durón November 29, 2021
'We are still here' By Dana Hedgpeth and Rachel Hatzipanagos November 19, 2021
Native American Heritage Month: Get to Know 8 Contemporary Indigenous Artists By Cora Anderson November 16, 2021
11 Influential Native American Artists Sandra Hale Schulman November 9, 2021
California Deserts By Christopher Reynolds November 3, 2021
‘I hope our ancestors can see what we are doing’: New fellowship supports Indigenous leaders, artists By Michelle Falkenstein September 29, 2021
New Desert X documentary pulls the curtain back on 2021 exhibtion By Brian Blueskye October 18, 2021
How Collectors Can Support Indigenous and Native American Artists By Sandra Hale Schulman October 7, 2021
Art x Music: How Collaborations Between Artists and Musicians Bring Forth New Sounds By Andy Battaglia September 13, 2021
Bandcamp Friday is Back -- The Future of Trad! By Devon Léger August 6, 2021
Revising a mostly white ‘greatest hits’ narrative, Seattle Art Museum will overhaul its American art galleries By Nancy Kenney ​June 16, 2021
Art installation calls for return of Native lands By Sandra Hay Shulman May 24, 2021
In The Southern California Desert, An Artist Has Transformed The Iconic Hollywood Sign Into An Icon For Land Repatriation By Jonathan Keats March 31, 2021
Desert X Artists Dig Beneath the Sandy Surface By Jori Finkel March 12, 2021
6 installations to see at Desert X 2021 By Michael Juliano March 11, 2021
The Defining Public Artworks of 2020, from Toppled Monuments to Messages in the Sky By Claire Selvin December 28, 2020
2020 Wrapped: Five Works of Art that Resonated Deeply with the Year By Reena Devi December 23, 2020
The Most Beautiful Murals of 2020 By Widewalls Editorial December 22, 2020
The Defining Artworks of 2020 By The Editors of ARTnews, Andy Battaglia December 9, 2020
The Most Important Moments in Art in 2020 By Holland Cotter, Roberta Smith and Jason Farago December 4, 2020
The Best Public Art of 2020 Artsy Editorial, Brooke Andrew Dec 2, 2020 4:58pm
"World Peace" Exhibition Opens at MoCA Westport in Connecticut By Carlene Olsen November 28, 2020
23 Leading Figures in the Art World Share What They’re Grateful for This Thanksgiving, From the US Constitution to Public Art By Nicholas Galanin November 25, 2020
When Will We Return What We Took From Indigenous People? By Laureline Simon Krichewsky November 21, 2020
An Homage to the Creatives, Entrepreneurs, and Change-Makers of Today's America By Gisela Williams October 14, 2020
A Message from the Editor By Alex Greenberger October 12, 2020
Prints Are a Way to Collect Otherwise Impossible-to-Get Artists By Shannon Lee October 7, 2020
Where is Our Reckoning? By Catherine Wagley September 29, 2020
NIRIN'S Cinematic Worlds By Biennial of Sydney September 24, 2020
University of Houston School of Art Spotlights Bold Voices in Contemporary Art, Design, and Criticism September 10, 2019
Seeking Sanctuary at the Aga Khan Museum of Islamic Art By Rachel Ozerkevich September 1, 2020
NEFES ALAMIYORUM…[In Turkish] Summer 2020
Three exhibitions to see in New York, London and online this weekend By Gabriella Angeleti, Gareth Harris and José da Silva July 17, 2020
14 Miles: Alaska artists consider distance and the role of the arts in a time of pandemic By Brendan Jones Summer 2020
As Galleries Reopen, Two Critics Find Rewards Eclipse the Angst By Holland Cotter July 17, 2020
It’s Funeral Time for Colonial Monuments By Trupti Rami June 19, 2020
TOP 10 NEW YORK GALLERY EXHIBITIONS CAUGHT IN THE COVID-19 SHUTDOWN By David Ebony May 20, 2020
Nicholas Galanin considers the unbalanced power of institutions over indigenous objects in Anchorage Museum exhibition By Gabriella Angeleti May 8, 2020
Standout Works from Frieze Week Online May 6, 2020
Ring the Alarm: Artists Respond to Climate Change By Rose Lichter-Marck April 22, 2020
Silver lining: First Nations artists' work can help us heal By Ella Archibald-Binge and Rhett Wyman April 10, 2020
Reviewing Carry a Song – Disrupt an Anthem, Nicholas Galanin solo exhibition at Peter Blum Gallery, New York By Jenna Ferrey March 23, 2020
Editors’ Picks: 10 Things Not to Miss in the Virtual Art World This Week By Cristina Cruz March 23, 2020
In the Time of Social Distance, Galleries Go Digital By Jasmine Weber and Dessane Lopez Cassell March 20, 2020
The shows must go on By Nirmala Devi March 13, 2020
Editors’ Picks: 17 Things Not to Miss in New York’s Art World This Week By Sarah Cascone March 2, 2020
Ancient to the Future: Nicholas Galanin Aims to Change How Indigenous Art Is Understood By Andy Battaglia February 13, 2020
Carry a Song, Disrupt an Anthem By Daniel Gauss February 10, 2020
"Carry a Song / Disrupt an Anthem": Nicholas Galanin on Indigenous Identities and Contemporary Conditions By Tulika Bahadur February 7, 2020
Biennale of Sydney to Tackle Race and Colonialism By Sam Gaskin February 4, 2020
Editors Picks: 11 Things Not to Miss in New York’s Art World This Week By Tim Schneider February 3, 2020
First American Art Magazine’s Top Ten Native Art Events of 2019 By Faazine January 3, 2020
The year's best Twin Cities art exhibitions were diverse and international By Art Alicia Eler December 20, 2019
The Most Important Works of the 2010s: Favorite Artworks That Didn’t Make the List BY The Editors of ARTnews November 28, 2019
Living with Art By Jenny Kroik November 28, 2019
Nicholas Galanin Suggests We’re Ready to Fight Back By Sheila Regan November 18, 2019
Announcing representation of Nicholas Galanin November 6, 2019
ARTnews in Brief: Liverpool Biennial Names Artists—and More from November 6, 2019 By The Editors of ARTnews November 4, 2019
Biennale of Sydney Releases Artist List for 2020 Edition With Focus on Indigenous Artists By Alex Greenberger September 12, 2019
Standing Together: Whitney Biennial Artist Nicholas Galanin on His Decision in July to Pull Work from the Show By Nicholas Galanin September 11, 2019
The Whitney Biennial Called. How Will They Answer? By Siddhartha Mitter May 9, 2019
Nicholas Galanin: The Value of Sharpness: When It Falls By Christopher Green March 23, 2019
Nicholas Galanin By Christina Schmid January 1, 2019
Nicholas Galanin remixes Native American identity at Phoenix’s Heard Museum By Jillian Steinhauer August 6, 2018
Out of Line: Nicholas Galanin Rejects the Traditional/Contemporary Binary By Nicolas Galanin March 26, 2018